In Coralie Fargeat's new feminist terror film The Substance, harmful social beauty criteria are the actual monsters. They (women objectification, the fingertip of "the aged," the spread of a sector improved body system customization) feed a monster of a cycle that leads Demi Moore's fading TV individual character Elisabeth Sparkle to choose a black

Jurassic World: Dominion was one of the most bleak images I've watched this year. I've been to a number of poorly-made films as a movie critic. The Jurassic World: Dominion, the third entry in the Jurassic World trilogy, and the sixth installment in Jurassic Park as a series didn't live up to the hype. The film's inability be a success was evident